franca sozzani fils
Vogue may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. Franca had a passion for, and a deep knowledge of, fashion and its history, but an ability to keep an amused distance from its modern day excesses. [12], Sozzani contributed to a number of charitable organisations. Une rencontre qui va changer sa vie. Nous utilisons des cookies pour vous garantir la meilleure expérience sur notre site web. “Why would anyone buy Italian Vogue?” she once queried, “They wouldn’t—only Italians read Italian.” She knew that she needed to communicate instead through powerful imagery, and by showcasing her photographers’ work in this way, she earned their unswerving loyalty and their willingness to work with her magazines’ negligible budgets. Sozzani never stopped being frank; the fashiony lifestyle was ridiculous, its shows boring, free personal style mattered more than purchased fashion, and no, fashion was not an art form. L’incroyable conversion de la papesse de la mode. Surpris, il l’attend… trois heures ! Sozzani improved the look of Vogue Bambini, and was rewarded in 1980 with the editorship of Condé Nast’s new Lei magazine (an Italian edition of the US magazine Glamour, and now sold under that name), plus in 1982 a men’s edition, Per Lui. La Princesse de Chicago : Dans la peau d'une reine. Franca’s ethereal, otherworldly beauty, with her limpid blue eyes and tumble of pale blonde Pre-Raphaelite waves, belied her indomitable personality. Franca Sozzani, n'hésitant pas à aborder des sujets sociaux dans les colonnes de son magazine, décide de publier le Black Issue en 2008, un numéro avec uniquement des mannequins noirs. initiative, Franca also took an active role in social issues beyond the pages of her magazines. conversion La garde robe privée de Franca Sozzani mise en vente sur Yoox. En savoir plus sur notre utilisation des cookies et des données. [3][6] In September 2015, she took over editorship of Vogue Sposa and Vogue Bambini. Le jour de sa venue à Turin, elle dit à son fils, étonné de la voir se confesser durant presque trois heures : « Parfois, dans la vie, tu veux regarder à l’intérieur de toi même ». She was a founding member of Child Priority – a non-profit organization created by Condé Nast to offer concrete study and work opportunities for those who have none despite being talented and artistically gifted. To revisit this article, visit My Profile, then View saved stories. Her son Francesco Carrozzini was born in 1982, and she brought him up alone; only when he was making a documentary, Franca: Chaos and Creation, to be released next year, did she tell him his father had been married to another woman when he was born. Ce jour là Franca se convertit. When Oliviero Toscani, her key photographer, moved on from her magazines, she began nurturing a dazzling talent roster of emerging photographers including Mario Testino, Paolo Roversi, Herb Ritts, Peter Lindbergh, Bruce Weber, and Steven Meisel, all of whom were attracted by the unprecedented editorial freedom that she gave them, and her passion for photography. Franca Sozzani (Italian pronunciation: [ˈfraŋka sotˈtsaːni]; 20 January 1950 – 22 December 2016) was an Italian journalist and the editor-in-chief of Vogue Italia from 1988 until her death in 2016. Une ascension et une chute fulgurantes. At the same time, Franca became an indispensable part of the Italian fashion scene, a shrewd power broker with an unequaled reach to its designers and the manufacturers and industrialists who keep the industry’s wheels turning. She was appointed global ambassador against hunger for the United Nations World Food Programme, with a particular focus on the empowerment and education of women and girls, and as their goodwill ambassador for Fashion 4 Development, she worked in areas including poverty and gender equality, through the medium of fashion-based initiatives. Franca Sozzani at the Paris fashion week in September. Her first issue, for July/August 1988, with the single cover line “Il Nuovo Stile,” and a sepia-washed black-and-white image by Meisel of the pillowy-lipped model Robin MacKintosh wearing a plain white Ferré blouse, signaled that she was not going to be playing by anyone else’s rules. And when you do something good, they send flowers to the stylist.”. There was a widely held belief in the world of fashion that Franca Sozzani’s original approach to the editorship of Italian Vogue was a long-term strategy to distinguish it from the sexy-intellectual French, romantic British and celebrity-filled US Vogue editions: the mag from Milan was to be the outrageous rogue Vogue. Netflix respecte les principes de l'Alliance de la publicité numérique. Franca Sozzani a toujours été un grand soutien pour les jeunes talents et son héritage continuera à en forger de nouveau grâce à une donation à deux instituts de la mode italiens. Sozzani had one son, Francesco Carrozzini (born 1982), a photographer and director. [10] The same year she became a United Nations Goodwill ambassador. Après The September Issue et Mademoiselle C, j'ai décidé de regarder pendant les vacances le documentaire consacré à l'incroyable Franca Sozzani, ancienne rédactrice en chef du Vogue Italie. But it was more a confident statement of her own wide interests, and an understanding that the “look” of Vogue Italia was valuable if unwritten information about the state of the world. [5], As well as her editorial writing, Sozzani also wrote photography and art books among them "British Artists at Work" with photographer Amanda Eliasch. En 2016, quelques mois avant sa mort, Franca Sozzani, rédactrice en chef de Vogue Italie et grande figure du monde de la mode, décide d’aller voir le Saint-Suaire.
Location Albufeira Bord De Mer, Nom De Dragon, Le Penseur De Rodin Prix, Offrir Une Rose Rouge à Un Homme, Vainqueur Roland-garros 2014 Femme, Sujet Bac Pro Vente 2018,
